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Sharon Freeman
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββ
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Freeman hat mit vielen GrΓΆΓen des Jazz gearbeitet: Gil Evans, Frank Foster, Charles Mingus, Don Cherry, Carla Bley, Muhal Richard Abrams, David Murray, Lionel Hampton und nicht zuletzt mit Charlie Haden. Sie ist die musikalische Leiterin seines Liberation Music Orchestra und hat diese Positionen auch fΓΌr die Band von Don Pullen und fΓΌr Beaver Harrisβ 360 Musical Experience innegehabt. Ihr Arrangement von βMonkβs Moodβ fΓΌr Hal Willners Konzeptalbum βThatβs the Way I Feel Now: A Tribute to Thelonious Monkβ wurde fΓΌr einen Grammy nominiert.
Freeman leitete auch die UJC Big Apple Jazzwomen, ein nur aus Frauen bestehendes Sextett, das auΓer ihr am Piano aus Jean Davis (Trompete), Linda Neel (Posaune), Erica Lindsay (Saxophone), Sarah Hommel (Drums) und Melissa Slocum (Bass) besteht. Freeman gehΓΆrt auΓerdem zum LehrkΓΆrper des New York City College of Technology.
Contents
β’ Literatur
β’ Weblinks
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββ
Literatur
Weblinks
Commons
: Sharon Freeman
β Sammlung von Bildern, Videos und Audiodateien
β’ Pop/Jazz; Sharon Freeman back with holiday Jazz suite von John S. Wilson in New York Times vom 23. Dezember 1983 (englisch)